Hillcrest Drama’s “Little Women” a Must See Presentation of Redemption

Hillcrest Academy’s Little Women vividly brings Louisa May Alcott’s beloved novel to life, harnessing the story’s timeless themes of family, personal growth, and redemption. From the opening scene, where the March sisters gather in their cozy living room, bursting with dreams and playful rivalry, this production clearly aims to honor the novel’s emotional depth rather than simply present a polished show.

The heart of Little Women lies in the sisters’ relationships and their individual pursuits of identity, and Hillcrest’s cast captures this complexity with touching sincerity. As Jo March, Hannah Martens embodies the fiery determination and boundless imagination that make Jo such an iconic literary figure. Her powerful vocals and spirited line delivery underscore Jo’s struggle to balance creative ambition with a deep-seated loyalty to her family. Martens’s performance allows audiences to see Jo not just as a spunky heroine but as a young woman grappling with the social constraints of her era, refusing to be defined by them.

The tender relationships that develop around Jo are equally important to Little Women’s story. Zeke Fiskness, portraying Professor Bhaer, brought a sweet earnestness to his role, reminding the audience that gentleness and humility can be just as potent as Jo’s stubborn defiance. His scenes with Martens are especially moving as the two navigate the quiet tension between admiration and fear of vulnerability, mirroring the novel’s delicate portrayal of genuine love.

Meanwhile, Mariana Mazon’s portrayal of Meg March emphasizes a bright gentility that complements Jo’s restless energy. Mazon’s warmth reveals Meg’s longing for a stable, traditional life even as she remains wholeheartedly devoted to her sisters. This dynamic allows the audience to appreciate the different trajectories each March sister pursues. Highlighting that womanhood takes many forms, each worthy of respect and celebration.

The production also excels in showcasing the quieter arcs. Beth March’s shy compassion comes to life through Bethany Zajac’s gentle delivery, capturing how Beth’s health struggles and subdued spirit profoundly impact the entire family. As Mr. Laurence, Vincent Nash provides a soft paternal presence that harmonizes beautifully with Beth’s sweetness, adding gravity to their tender, sorrowful storyline. These moments illuminate the novel’s recurring idea that selflessness and empathy can leave a lasting mark on those around us.

Laila Davison’s Amy March offers a delightful counterpoint with her brash wit and artistic passion, mirroring the messy reality of growing up. She deftly transitions from a willful younger sister to a refined young woman, never losing the spark that makes Amy memorable in Alcott’s pages. The same can be said for Patrick Genius as Laurie Laurence. His boyish enthusiasm and unwavering affection for the March family highlight the blend of fun and heartbreak that threads through the story.

Supporting them all is Elsie Nilsen’s gentle yet resolute Marmee, grounding the sisters with guidance that is both moral and affectionate. Clara Nilsen’s Aunt March introduces a note of propriety and social critique, a crucial reminder of the era’s expectations for young women. Harrison Rogness’ Mr. John Brooke and Katie Holzner’s Mrs. Kirk add local color and neighborly camaraderie.

Part of what makes Hillcrest’s production so engaging is how the cast leans into the novel’s redemptive arc. Little Women is not just a coming-of-age tale but a story of mistakes made and forgiven, of hearts broken and mended, and of dreams that shift and grow over time. The students make these core lessons resonate, and their collective commitment invites the audience to reflect on their own families and aspirations.

Little Women is being performed Saturday night, February 22nd, at 7pm, and Sunday afternoon, February 23rd, at 3pm.